In this week’s Dispatches from the Secret Library, Dr Oliver Tearle returns to the Golden Age of detective fiction with this crime classic
Before Colin Dexter breathed new life into the genre with his Inspector Morse novels published from 1975 onwards, the Oxbridge crime novel was already a sizeable subgenre within detective fiction: there was the Queen of Crime Dorothy L. Sayers, whose Gaudy Night (1935) had helped to blaze a trail for the Oxford crime novel, and in her wake, Bruce Montgomery, under the pen name Edmund Crispin, wrote mystery novels set in Oxford, where he was studying for a degree when he wrote his first, The Case of the Gilded Fly, in 1943. Crispin’s creation, the amateur sleuth Gervase Fen, is also an Oxford don and English Literature professor at the university.
But before these, there was Lois Austen-Leigh’s quartet of Cambridge crime novels, of which the 1931 novel The Incredible Crime (British Library Crime Classics) was the first. Now, the British Library have brought the novel back into print as part of their Crime Classics series. Lois Austen-Leigh (1883-1968), who was the great-great-niece of Jane Austen, has languished forgotten in old libraries and second-hand bookshops for over half a century, her novels known only to aficionados of the Golden Age of British crime fiction, lasting around two decades between the two world wars. Even then, as Robert Davies has noted, even experts in the field often haven’t heard of Austen-Leigh. Read the rest of this entry
By Spencer Blohm
The body of work produced by Jane Austen remains as relevant today as the time period in which it was written. Her keen observations of human nature and human conventions as portrayed through the lens of her times have made her works timeless. And of course, her acute ability to satirize those same conventions has preserved their lasting bite. Over the last century, numerous film adaptations have been created based on Austen’s novels – some faithful to the source material, others perhaps less so, but wherever there is a trace of Austen wit there is always a plot worth following. Read the rest of this entry