The meaning of a classic Dickinson poem
Emily Dickinson’s individual and idiosyncratic way of looking at the world led her to write some wonderfully unique poems – about snow, about cats, about death. One of the recurring themes of her work is faith and religion, which she explores in ‘The Child’s faith is new’.
The Child’s faith is new –
Whole – like His Principle –
Wide – like the Sunrise
On fresh Eyes –
Never had a Doubt –
Laughs – at a Scruple –
Believes all sham
But Paradise – Read the rest of this entry
In this week’s Dispatches from The Secret Library, Dr Oliver Tearle enjoys the once-popular but now largely forgotten detective stories of Ernest Bramah
The name Ernest Bramah may be largely forgotten now, but he created a detective whose popularity rivalled that of Sherlock Holmes (at least so it is rather improbably claimed). Bramah (1868-1942) created Max Carrados, a popular sleuth whose adventures appeared in The Strand magazine, which also published Sir Arthur Conan Doyle’s Sherlock Holmes stories. But there is one important difference between Max Carrados and Sherlock Holmes: Carrados is blind.
The complete adventures of Max Carrados, a blind detective who can nevertheless solve crimes thanks to his extraordinary skills at reading things with his fingers and paying attention to the sounds that other people overlook, have recently been reprinted as The Eyes of Max Carrados (Tales of Mystery & The Supernatural). Carrados first appeared in 1914 and over the next decade his short stories had many readers in Britain gripped. They still stand up well now. George Orwell was also a fan, claiming that, along with R. Austin Freeman’s Dr Thorndyke stories and Conan Doyle’s Sherlock Holmes tales, the Max Carrados stories are the only detective stories since Edgar Allan Poe that are worth rereading. Read the rest of this entry
The best poems of Wilfred Owen
Previously, we’ve selected ten of the best poems about the First World War; but of all the English poets to write about that conflict, one name towers above the rest: Wilfred Owen (1893-1918). Here’s our pick of Wilfred Owen’s ten best poems.
‘Futility’. This is a brief lyric that focuses on a group of soldiers standing over the dead body of a fallen comrade, and is one of Owen’s finest uses of his trademark pararhyme (or half-rhyme). Although the speaker and his fellow soldiers seem to think that the ‘kind old sun’ will be able to revive their dead comrade, we readers know that this is hopeful optimism if not naivety on the part of the speaker.
‘Strange Meeting’. Siegfried Sassoon called ‘Strange Meeting’ Owen’s passport to immortality; it’s certainly true that it’s poems like this that helped to make Owen the definitive English poet of the First World War. The poem is narrated by a soldier who dies in battle and finds himself in Hell. There he meets a man whom he identifies as a ‘strange friend’. This other man tells the narrator that they Read the rest of this entry