By Dr Oliver Tearle (Loughborough University)
In 1922, the year that his poem The Waste Land was published, T. S. Eliot wrote something that you wouldn’t necessarily expect from the high priest of modernist difficulty and (according to his first wife, Vivienne, at least) a man who could be a bit of a snob. It’s also a fascinating essay because, over a century after he wrote it, Eliot’s words about technological developments in entertainment leading to a feeling of boredom amongst ordinary people now seem to be eerily prescient of our own times.