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A Short Analysis of D. H. Lawrence’s ‘Tickets, Please’

On Lawrence’s classic short story about the war between the sexes

‘Tickets, Please’ was first published in 1918, while the First World War was still raging. But D. H. Lawrence’s short story of love, sex, betrayal, and vengeance is set on the home front rather than the western front, and centres on the battle of the sexes rather than the horrific conflict in northern France and Belgium. You can read ‘Tickets, Please’ here.

In summary, ‘Tickets, Please’ is a story about a man who works on the trams of Nottingham during the First World War. John Thomas – his very name is slang for the ‘male member’, or penis – is a cock of the walk, a jack the lad, a man who thinks he has it all. Curiously, though, this is 1918 and he’s not ‘at the front’: he’s not fighting in the war. Why? Lawrence doesn’t tell us, but it raises interesting questions. Does this cast a shadow over his ‘manliness’? Read the rest of this entry

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A Short Analysis of W. B. Yeats’s ‘Easter 1916’

W. B. Yeats (1865-1939) wrote ‘Easter 1916’ in the summer of 1916, shortly after the Easter Rising in Dublin and when the events were still fresh in the memory. Yeats’s feelings towards the rising – more details about which can be read here – since he deplored violence (in most cases) as a way of achieving Irish independence from the British. In ‘Easter 1916’, Yeats refers to a number of key figures in the struggle for Irish independence, although without naming them, so the poem requires a bit of analysis and context.

Easter 1916

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe Read the rest of this entry

A Short Analysis of D. H. Lawrence’s ‘Discord in Childhood’

On Lawrence’s short poem about childhood

The novelist, short-story writer, and poet D. H. Lawrence (1885-1930) had a curious relationship with trees. He reportedly liked the climb mulberry trees in the nude to stimulate his imagination. And trees loom large in his work. In ‘Discord in Childhood’, an early poem which he began writing in 1909 when Lawrence was still only in his mid-twenties, Lawrence uses the ash-tree to suggest the discordant relationship between the tree’s supposed healing properties (it was supposed to play a valuable role in children’s health) and the suffering endured by a child listening to its parents arguing.

Discord in Childhood

Outside the house an ash-tree hung its terrible whips,
And at night when the wind arose, the lash of the tree
Shrieked and slashed the wind, as a ship’s
Weird rigging in a storm shrieks hideously.

Within the house two voices arose in anger, a slender lash
Whistling delirious rage, and the dreadful sound Read the rest of this entry