Macbeth is, along with the character of Iago in Othello and his earlier portrayal of Richard III, William Shakespeare’s most powerful exploration and analysis of evil. Although we can find precursors to Macbeth in the murderer-turned-conscience-stricken-men of Shakespeare’s earlier plays – notably the conspirator Brutus in Julius Caesar and Claudius […]
On Tuesday, we offered a short plot summary of The Tempest, one of Shakespeare’s last plays, and his final solo work for the theatre. As we remarked then, The Tempest is essentially a fantasy story (or ‘romance’ to use the term that tends to be used to categorise The Tempest) […]
The Tempest is one of Shakespeare’s most enchanting and enchanted plays: a fantasy or ‘romance’ featuring a magician, the ‘monstrous’ offspring of a wicked witch, fairies, a lavish masque, drunken conspirators, young lovers, and much else. Before we say more about these individual elements (which demand separate blog posts at […]