Detective Fiction – Interesting Literature

Edgar Wallace’s J. G. Reeder: An Overlooked Detective

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle reads Edgar Wallace’s collection of detective stories about the unassuming Mr J. G. Reeder

Edgar Wallace achieved a lot before he dropped down dead, in his fifties, from complications arising from diabetes, in Hollywood in 1932. He had risen from extremely humble origins, the illegitimate and unwanted son of two actors, to become one of the most recognisable and prolific writers of the age – according to an oft-repeated claim, in 1928 it was estimated that one in four books read in England was an Edgar Wallace title – and was at work on the film that would become the 1933 classic King Kong when he died.

The Female Sherlock Holmes: C. L. Pirkis’ Loveday Brooke

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle applauds the 1890s short stories featuring an early female detective

The name Catherine Louisa Pirkis is relatively unknown now, but Pirkis left two legacies of interest. The first arose out of her animal charity work: with her husband, Pirkis was one of the founders of the National Canine Defence League in 1891. This is undoubtedly a worthwhile legacy in itself, but it’s the second legacy of C. L. Pirkis which concerns us here: her small but nonetheless notable contribution to detective fiction.

Flaxman Low: The First Psychic Detective

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle investigates the Victorian world of a neglected ‘psychic detective’

The popularity of Sir Arthur Conan Doyle’s Sherlock Holmes stories, published in The Strand magazine from 1891 until the 1920s, led to many imitators. As well as such creations as Ernest Bramah’s Max Carrados, the blind detective, and the psychological detective, Dr John Dollar (created by Doyle’s own brother-in-law, Raffles creator E. W. Hornung), a mini sub-genre of fictional detective also emerged: the psychic detective or paranormal investigator. Flaxman Low was not the most successful of these, but he is one of the most satisfying and enjoyable.

Max Carrados, the Blind Sherlock Holmes

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle enjoys the once-popular but now largely forgotten detective stories of Ernest Bramah

The name Ernest Bramah may be largely forgotten now, but he created a detective whose popularity rivalled that of Sherlock Holmes (at least so it is rather improbably claimed). Bramah (1868-1942) created Max Carrados, a popular sleuth whose adventures appeared in The Strand magazine, which also published Sir Arthur Conan Doyle’s Sherlock Holmes stories. But there is one important difference between Max Carrados and Sherlock Holmes: Carrados is blind.

The complete adventures of Max Carrados, a blind detective who can nevertheless solve crimes thanks to his extraordinary skills at reading things with his fingers and paying attention to the sounds that other people overlook, have recently been reprinted as The Eyes of Max Carrados (Tales of Mystery & The Supernatural). Carrados first appeared in 1914 and over the next decade his short stories had many readers in Britain gripped. They still stand up well now. George Orwell was also a fan, claiming that, along with R. Austin Freeman’s Dr Thorndyke stories and Conan Doyle’s Sherlock Holmes tales, the Max Carrados stories are the only detective stories since Edgar Allan Poe that are worth rereading.

Curious Facts about the Golden Age of Detective Fiction

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle investigates the fascinating facts behind some of the greatest detective novels

The rise of detective fiction is a fascinating topic (previously, I’ve chosen 10 of the greatest examples of the genre), and it’s no surprise that a book telling the story of classic crime fiction in 100 books should yield many surprising and interesting facts. This is certainly the case with Martin Edwards’ The Story of Classic Crime in 100 Books (British Library Crime Classics), a beautifully produced book from the British Library which charts the rise of crime fiction during the genre’s ‘Golden Age’ of the first half of the twentieth century.