By Dr Oliver Tearle (Loughborough University)
Ezra Pound’s colossal work of modernist poetry, The Cantos, runs to nearly 800 pages and took him over half his life to write – and even then, he never finished it. Pound himself said that the structure of The Cantos could be analysed as follows: ‘Live man goes down into world of dead. “The repeat in history.” The “magic moment” or moment of metamorphosis, bust through from quotidian into “divine or permanent world.” Gods, etc.’
By Dr Oliver Tearle (Loughborough University)
Modernist poetry in English never had an official manifesto, but there are several documents which conceivably have a claim to the de facto title: T. E. Hulme’s ‘A Lecture on Modern Poetry’ (1908), for instance, or T. S. Eliot’s ‘Tradition and the Individual Talent’ (1919).
Fun Ezra Pound facts, including his unusual middle name and his even weirder fashion sense
1. Ezra Pound’s middle name was Loomis. Or rather, one of his middle names. Ezra Weston Loomis Pound was born in Idaho in 1885; a childhood friend was Hilda Doolittle, who would become known as an imagist poet under the initials ‘H. D.’ (the initialism was Pound’s own PR idea) and, later, as a novelist. Pound even asked Doolittle to marry him in 1907; she declined (as he was reportedly seeing two other women at the time, it’s not hard to see why!).
Pound would be the driving force behind the literary movement known as imagism in the years 1913-15, and would also contribute to modernist poetry himself with a number of famous poems, among them the two-line imagist masterpiece ‘In a Station of the Metro’, the long poem Hugh Selwyn Mauberley (1920), and the very long poem The Cantos (Pound’s life’s work, and over 800 pages in full). The Cantos is a vast work, described by Hugh Kenner as the chronicle of Pound’s own life, and written over a period of nearly half a century. (It was described by Pound, in an early draft, as a ‘rag-bag’.)