A Short Analysis of Moliere’s Tartuffe

By Dr Oliver Tearle (Loughborough University)

Tartuffe is one of Molière’s masterpieces. The play was first performed as a three-act comedy in May 1664, and was immediately denounced for supposedly ‘attacking’ religion through its portrayal of the pious titular hypocrite, Tartuffe. The religious zealots who objected to the play eventually persuaded King Louis XIV (who had actually enjoyed the play) to have it banned. Sadly, this was not the last time religious people would take exception to comedy (and comedy that isn’t even poking fun at religion at all, but rather foolish devotion to a charlatan and impostor). Because of this early misinterpretation of Molière’s play, it is worth analysing Tartuffe more closely, to determine precisely what the play is saying about piety, hypocrisy, and gullibility.

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Five Fascinating Facts about Molière

Facts about Jean-Baptiste Poquelin, aka Molière

1. Molière died shortly after collapsing on stage during one of his own plays. Molière’s play Le malade imaginaire, known in English as The Imaginary Invalid or, alternatively, The Hypochondriac, was first staged in February 1673. Molière acted in the production, taking the lead role of Argan (the hypochondriac of the title). Ironically, given the role he was playing in the production, Molière in fact collapsed in a fit of coughing during the performance. He insisted on finishing his performance, before suffering another massive haemorrhage and dying shortly after. He had been suffering from pulmonary tuberculosis for several years.

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