In this week’s Dispatches from The Secret Library, Dr Oliver Tearle reads Richard Aldington’s Life Quest, the modernist long poem that time forgot
The standout modernist long poem of the 1920s was The Waste Land. T. S. Eliot’s poem redefined what modernism could do in poetry, influenced by James Joyce’s example of the ‘mythical method’ in his novel Ulysses and the various Symbolist and imagist experiments in French and English verse. It captured a moment and mood of post-war desolation and uncertainty, a world in ruin plagued by fears and anxieties, ennui and a lack of self-confidence. But what happened to the modernist long poem in the 1930s at another moment of anxiety and transition has been less well-covered by scholars and critics of modernism.
The thirties belong to W. H. Auden, and to a lesser extent those who moved in his orbit but were good, or very good, poets in their own right: Stephen Spender, Louis MacNeice, the ‘Pylon poets’. Curiously, Auden more or less began his poetic career with a highly unusual work, caught between Read the rest of this entry