A critical reading of ‘Funeral Blues’
W. H. Auden’s poem ‘Stop all the clocks’ – poem number IX in his Twelve Songs, and also sometimes known as ‘Funeral Blues’ – is a poem so famous and universally understood that perhaps it is unnecessary to offer much in the way of textual analysis. Yet we’re going to offer some notes towards an analysis of ‘Funeral Blues’ in this post, because if a poem does touch us and move us in some way – especially so many of us – it’s always worth trying to explain why. The poem – and the work of W. H. Auden (1907-73) more generally – was brought to a whole new audience when it was quoted in full in the 1994 film Four Weddings and a Funeral, in which Auden is described as a ‘splendid bugger’. You can read ‘Stop all the clocks’, which was first published in 1936, here. Read the rest of this entry
The best Auden poems
W. H. Auden (1907-1973) wrote a great deal of poetry, with many of the best Auden poems being written in the 1930s. In this post, we’ve taken on the difficult task of finding the ten greatest Auden poems – difficult because, although certain poems naturally rise to the surface and proclaim their greatness, there are quite a few of those. Here’s our top ten. Are there any classic poems by Auden that we’ve left off the list? Click on the title of each poem to read it.
‘Stop all the clocks’. Also known as ‘Funeral Blues’, this poem, one of Auden’s ‘Twelve Songs’ originally published in 1936, needs no introduction, perhaps. Since it was recited in the funeral in the 1994 film Four Weddings and a Funeral, it achieved worldwide fame and brought Auden’s poetry to a whole new audience. We’ve analysed this classic funeral poem here. Read the rest of this entry