A Short Analysis of D. H. Lawrence’s ‘Discord in Childhood’

By Dr Oliver Tearle (Loughborough University)

The novelist, short-story writer, and poet D. H. Lawrence (1885-1930) had a curious relationship with trees. He reportedly liked the climb mulberry trees in the nude to stimulate his imagination. And trees loom large in his work. In ‘Discord in Childhood’, an early poem which he began writing in 1909 when Lawrence was still only in his mid-twenties, Lawrence uses the ash-tree to suggest the discordant relationship between the tree’s supposed healing properties (it was supposed to play a valuable role in children’s health) and the suffering endured by a child listening to its parents arguing.

Discord in Childhood

Outside the house an ash-tree hung its terrible whips,
And at night when the wind arose, the lash of the tree
Shrieked and slashed the wind, as a ship’s
Weird rigging in a storm shrieks hideously.

Within the house two voices arose in anger, a slender lash
Whistling delirious rage, and the dreadful sound

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A Short Analysis of D. H. Lawrence’s ‘New Heaven and Earth’

By Dr Oliver Tearle (Loughborough University)

Although he is better-known as a novelist, D. H. Lawrence also wrote a great deal of poetry. ‘New Heaven and Earth’, a long poem he wrote in 1917 during the First World War, captures Lawrence’s anger and despair over the destruction of the war, and might be regarded as a forerunner to greater (and longer) poems written by Lawrence’s fellow modernists, such as T. S. Eliot’s The Waste Land.

New Heaven and Earth

I

And so I cross into another world
shyly and in homage linger for an invitation
from this unknown that I would trespass on.

I am very glad, and all alone in the world,
all alone, and very glad, in a new world
where I am disembarked at last.

I could cry with joy, because I am in the new world, just ventured in.
I could cry with joy, and quite freely, there is nobody to know.

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A Short Analysis of D. H. Lawrence’s ‘Self-Pity’

By Dr Oliver Tearle (Loughborough University)

‘Self-Pity’ is one of the shortest poems D. H. Lawrence ever wrote, but it’s worth sharing here (with a few brief words of analysis) because, unlike Sons and Lovers or a poem like ‘Snake’, it is not as well-known among his oeuvre. The poem fills barely a third of a page in his The Complete Poems (Penguin Twentieth Century Classics).

Self-Pity

I never saw a wild thing
sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.

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A Short Analysis of D. H. Lawrence’s ‘Green’

By Dr Oliver Tearle (Loughborough University)

Was D. H. Lawrence (1885-1930) an imagist? He’s well-known as a novelist, slightly less celebrated as a poet and a writer of some truly wonderful short stories. But how should we categorise his poetry? Can he be labelled, and analysed as, ‘imagist’? Here is his fine short poem ‘Green’, which was published in the first anthology of imagist poetry, Des Imagistes, in 1914:

Green

The dawn was apple-green,
The sky was green wine held up in the sun,
The moon was a golden petal between.

She opened her eyes, and green
They shone, clear like flowers undone
For the first time, now for the first time seen.

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10 of the Best D. H. Lawrence Poems Everyone Should Read

By Dr Oliver Tearle (Loughborough University)

Although he’s best-known for novels such as Sons and Lovers and Lady Chatterley’s Lover, and for short stories such as ‘The Rocking-Horse Winner’, D. H. Lawrence was also a prolific poet whose work ranged from formally conventional poems to sprawling free verse influenced by Walt Whitman. What follows is our pick of ten of the greatest poems from Lawrence’s vast oeuvre of poetry.

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