The First Modern Ghost Story: Kipling’s ‘Mrs Bathurst’

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle analyses one of Rudyard Kipling’s most baffling stories

I agree with Neil Gaiman: Rudyard Kipling was at his best in the short story form. The generous 800-page Fantasy Masterworks volume of Kipling’s ‘fantastical tales’ which I own (The Mark of the Beast And Other Fantastical Tales) showcases the work of a writer who possessed not only a staggering imagination but narrative ingenuity which we rarely see in writers of short stories. Of all Kipling’s short stories, ‘Mrs Bathurst’ is one of the most ingenious. It is also one of the most genuinely chilling.

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A Short Analysis of William Wordsworth’s ‘Strange fits of passion have I known’

By Dr Oliver Tearle (Loughborough University)

‘Strange fits of passion have I known’ belongs to a small suite of poems William Wordsworth wrote about ‘Lucy’, a girl or young woman (her precise age is difficult to determine); along with ‘A slumber did my spirit seal’ (which does not mention Lucy by name) and ‘She dwelt among the untrodden ways’, ‘Strange fits of passion’ appeared in the 1800 edition of Lyrical Ballads, the volume Wordsworth co-wrote with Samuel Taylor Coleridge.

Strange fits of passion I have known:
And I will dare to tell,
But in the Lover’s ear alone,
What once to me befel.

When she I loved was strong and gay,
And like a rose in June,
I to her cottage bent my way,
Beneath the evening Moon.

Upon the Moon I fixed my eye,
All over the wide lea:
My Horse trudged on—and we drew nigh
Those paths so dear to me.

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The Richness of Medieval English Literature

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle reviews Stephen Coote’s English Literature of the Middle Ages

Stephen Coote’s English Literature of the Middle Ages (Pelican) was published thirty years ago, in 1988. It’s taken me until this week to read it, but it’s one of the most illuminating and important introductions to medieval English literature you could hope to find. Clear, accessible, and endlessly informative, Coote’s book covers everything from Beowulf to the Morte Darthur, taking in alliterative and rhyming verse, courtly dream-visions and Arthurian narratives, Anglo-Saxon kennings and Middle English prose.

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A Summary and Analysis of Hans Christian Andersen’s ‘The Little Match Girl’

By Dr Oliver Tearle (Loughborough University)

‘The Little Match Girl’ is one of Hans Christian Andersen’s most famous fairy tales for children. It is also one of his shortest, running to just a few pages. In any case, below we’ve offered a brief summary of the tale that highlights some of its salient points, before moving on to a brief commentary on, or analysis of, the key themes of ‘The Little Match Girl’. What is the meaning of this intriguing little tale?

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Writer’s Study: George Orwell’s Keep the Aspidistra Flying

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle reviews Orwell’s early novel about the struggles of the writer

Depending on your tastes, you can blame or congratulate George Orwell for Wetherspoons. When Tim Martin founded his chain of British pubs in the late 1970s, he took as his inspiration – a sort of unofficial literary blueprint, if you will – an essay of Orwell’s, ‘The Moon under Water’, published in the London Evening Standard in 1946. To this day, a number of Wetherspoon pubs are named The Moon under Water in honour of Orwell’s think piece, including the one in my hometown, Milton Keynes.

Although principally known for his last two novels about totalitarianism, Animal Farm and Nineteen Eighty-Four, and for his political essays about big questions surrounding nationalism, fascism, and Communism, George Orwell also wrote well about petty poverty, the writer’s life (see his ‘Confessions of a Book Reviewer’, also from 1946), and the English obsession with money, usually with having too little of it.

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