An introduction to a classic fairy tale
Beware of amphibians who can speak in verse. That seems to be the moral of ‘The Frog Prince’, though we’re not sure about that. ‘The Frog Prince’ is perhaps, of all the classic fairy tales, the one that most succinctly encapsulates the notion of ‘fairy tales’, ‘the fairy-tale ending’, and the spirit of transformation and ‘living happily ever after’ which pervades so many of the best-loved fairy tales. But what is the meaning of ‘The Frog Prince’, and what are the story’s origins? Before we offer an analysis of the story’s key features, it might be worth summarising its content:
A young princess is playing with a golden ball by a woodland spring one day, throwing the ball in the air and catching it. Once when she throws the ball up, though, she fails to catch it and it falls into the spring. She looks into the water but it’s so deep that she cannot see the bottom of the spring, and so cannot retrieve her ball. She’s so fond of her little ball that she sighs and says she would give all her fine clothes and possessions if she could get it back. Read the rest of this entry
The meaning of a curious fairy story
‘Sleeping Beauty’ is, depending on which version of the story you read, called Sleeping Beauty, Talia, Little Briar Rose, Rosamond, or Aurora. This is because, like many other classic fairy tales, the tale of Sleeping Beauty exists in numerous versions, each of which is subtly – or, in some cases, quite strikingly – different from the others. In the Italian version published in the Pentamerone, an Italian collection of fairy tales published in 1634, the heroine is named Talia. Charles Perrault, in his version published later in the century, calls her the Sleeping Beauty. The Brothers Grimm call her Dornröschen or ‘Little Briar Rose’, which is sometimes adapted as ‘Rosamond’. In the Disney film, the adult heroine is named Aurora. For the purposes of clarity here, we’re going to call her ‘Sleeping Beauty’ or ‘the princess’.
Nevertheless, the overall plot of these different versions of ‘Sleeping Beauty’ remains broadly the same, so it might not prove entirely impossible to offer a short plot summary. A king is protective of his beautiful daughter, the princess. An evil fairy curses the princess, pronouncing that she will die when she is pricked by a spindle. However, a good fairy manages to intervene so that the prophecy is softened: the princess will not die if she is pricked with a spindle, but she will fall unconscious for a hundred years. The king bans flax and spinning equipment from his palace, so as to protect his daughter from such a fate. Read the rest of this entry
The meaning of a classic story
‘Little Red Riding Hood’ was, Charles Dickens said, his first love. It is one of the most universally known fairy tales: if you were to ask 100 people to name a fairy tale, ‘Little Red Riding Hood’ would be one of the most popular answers. And much like a number of other fairy tales, which seem to have grown up around older oral tales (‘Rumpelstiltskin’, for instance, is reckoned to be a whopping 4,000 years old), ‘Little Red Riding Hood’ can be traced back to the 10th century when it was circulating as a French oral tale, and also existed as a fourteenth-century Italian story named ‘The False Grandmother’, though it only became popular under this name in the 1690s, when it appeared in the work of the French fabulist Charles Perrault. It rapidly established itself as one of the best-loved and familiar fairy stories in the western world. Yet what is the meaning of ‘Little Red Riding Hood’? Before we venture an answer to this – via an analysis of the story’s key features – it’s worth recapping the plot in a brief summary.
A young village girl who lives with her mother is given a little red riding-hood to wear, and everyone starts to refer to her as ‘the Little Red Riding-Hood’ on account of it. One day, the girl’s mother asks her to go and visit her grandmother, who lives in the next village, through the forest. Little Red Riding-Hood is given some food to take with her to give to her grandmother. She sets off, and on the way, while travelling through the woods, she meets a talking wolf, who asks her where she’s going. Little Red Riding-Hood tells him that she’s going to visit her grandmother, and the wolf asks where her grandmother lives. Little Red Riding-Hood tells him she lives in the first house in the village, on the other side of the mill. The wolf says he’ll head there himself, taking a different route, and they can have a competition to see who can get there first. Read the rest of this entry