A Summary and Analysis of Oscar Wilde’s ‘The Nightingale and the Rose’

By Dr Oliver Tearle (Loughborough University)

‘The Nightingale and the Rose’ is a fairy tale by Oscar Wilde (1854-1900), included in his 1888 collection The Happy Prince and Other Tales. Whereas ‘The Selfish Giant’ (from the same collection) deals with Christian love and the title story is about socialism and kindness towards others in society, ‘The Nightingale and the Rose’ is about romantic love.

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A Summary and Analysis of the Three Billy Goats Gruff Fairy Tale

By Dr Oliver Tearle (Loughborough University)

The tale of the Three Billy Goats Gruff is well-known throughout Europe, and perhaps even further afield. But what is less well-known is that the story has its origins, not in French or German or Danish literature, like many other fairy tales that are well-known to English-speaking readers, but in Scandinavian literature.

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A Summary and Analysis of Oscar Wilde’s ‘The Selfish Giant’

By Dr Oliver Tearle (Loughborough University)

Of all of Oscar Wilde’s fairy tales for children, ‘The Selfish Giant’ has the strongest Christian symbolism and is clearly meant to be read and analysed as an allegory for Christian love. In this post, we’ll take a closer look at the story and its meaning and imagery. You can read ‘The Selfish Giant’ here before proceeding to our summary and analysis of the tale below.

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A Summary and Analysis of the ‘Tom Thumb’ Fairy Tale

By Dr Oliver Tearle (Loughborough University)

The story or ‘history’ of Tom Thumb is the oldest English fairy story that we have in printed form. Other fairy tales may well be older – indeed, almost certainly are if we trace the antecedents of stories such as ‘Rumpelstiltskin’ back some 4,000 years – but the oldest extant printed copy of a fairy tale is Richard Johnson’s The History of Tom Thumbe, printed in London in 1621. Only one copy of this original printing is thought to survive.

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A Summary and Analysis of Oscar Wilde’s ‘The Happy Prince’

By Dr Oliver Tearle (Loughborough University)

Of Oscar Wilde’s various short works for children, ‘The Happy Prince’ (1888) occupies a special place as his signature tale, and is perhaps Wilde’s definitive statement about the relationship between inner and outer beauty. ‘The Happy Prince’ is a sad tale that clearly owes much to earlier fairy stories, especially the tales of Hans Christian Andersen. However, it is also a typically Wildean story.

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