A Summary and Analysis of Wallace Stevens’ ‘The House Was Quiet and the World Was Calm’

By Dr Oliver Tearle (Loughborough University)

‘The House Was Quiet and the World Was Calm’ (1946) is one of Wallace Stevens’s finest later poems. In just sixteen lines and eight couplets, Stevens summons the quiet and calm of solitary reading inside a house. You can read ‘The House Was Quiet and the World Was Calm’ here before proceeding to our analysis below.

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A Summary and Analysis of Edgar Allan Poe’s ‘The Imp of the Perverse’

By Dr Oliver Tearle (Loughborough University)

‘The Imp of the Perverse’ is a short story by Edgar Allan Poe (1809-49), written in 1845. Of all of Poe’s stories, this is one of the strongest tales to prefigure the ideas of Sigmund Freud, the founder of psychoanalysis. Before we proceed to a summary and analysis of this story, it might be worth reading ‘The Imp of the Perverse’; you can find it here.

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A Summary and Analysis of Edgar Allan Poe’s ‘The Premature Burial’

By Dr Oliver Tearle (Loughborough University)

‘The Premature Burial’ is a story by Edgar Allan Poe (1809-49), written in 1844. The story taps into a fear which many people claim to harbour: taphephobia, or the fear of being buried alive. Before proceeding to our summary and analysis of this curious story, you might want to read ‘The Premature Burial’, which is available here.

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A Summary and Analysis of Edgar Allan Poe’s ‘The Man of the Crowd’

By Dr Oliver Tearle (Loughborough University)

‘The Man of the Crowd’ is one of the shorter short stories written by Edgar Allan Poe (who pioneered the short story form when it was still an emerging force in nineteenth-century magazines and periodicals). Written in 1840, the story is deliciously enigmatic and, in some ways, prefigures later fiction, including modernism. You can read ‘The Man of the Crowd’ here before proceeding to our summary and analysis below.

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A Summary and Analysis of Robert Frost’s ‘Mending Wall’

By Dr Oliver Tearle (Loughborough University)

‘Mending Wall’ is a 1914 poem by the American poet Robert Frost (1874-1963). Although it’s one of his most popular, it is also one of his most widely misunderstood – and, like another of his widely anthologised poems, ‘The Road Not Taken’, its most famous lines are often misinterpreted.

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