A reading of Poe’s short horror story
‘The Black Cat’ was first published in August 1843 in the Saturday Evening Post. It’s one of Poe’s shorter stories and one of his most disturbing, focusing on cruelty towards animals, murder, and guilt, and told by an unreliable narrator who’s rather difficult to like. You can read ‘The Black Cat’ here. Below we’ve offered some notes towards an analysis of this troubling but powerful tale.
First, a brief summary of the plot of ‘The Black Cat’. The narrator explains how from a young age he was noted for his tenderness and humanity, as well as his fondness for animals. When he married, he and his wife acquired a number of pets, including a black cat, named Pluto. But as the years wore on, the narrator became more irritable and prone to snap. One night, under the influence of alcohol, he sensed the black cat was avoiding him and so chased him and picked up the animal. The animal bit him slightly on the hand, and the narrator – possessed by a sudden rage – took a pen-knife from his pocket and gouged out one of the cat’s eyes. Although the cat seems to recover from this, the narrator finds himself growing more irritated, until eventually he takes the poor cat out into the garden and hangs it from a tree. Later that night, the narrator wakes to find his house on fire, and he, his wife, and his servant, barely escape alive. All of the narrator’s wealth is lost in the flames. Read the rest of this entry
A reading of a classic horror story
‘The Tell-Tale Heart’ is a Gothic novel in miniature. All of the elements of the Gothic novel are here: the subterranean secret, the Gothic space (scaled down from a full-blown castle to a single room), the gruesome crime – even the hovering between the supernatural and the psychological. In just five pages, it’s as if Edgar Allan Poe has scaled down the eighteenth-century Gothic novel into a story of just a few thousand words. But what makes this story so unsettling? Closer analysis reveals that ‘The Tell-Tale Heart’ centres on that most troubling of things: the motiveless murder. You can read the story here.
First, a brief summary of ‘The Tell-Tale Heart’. An unnamed narrator confesses that he has murdered an old man, apparently because of the old man’s ‘Evil Eye’ which drove the narrator to kill him. He then describes how he crept into the old man’s bedroom while he slept and stabbed him, dragging the corpse away and dismembering it, so as to conceal his crime. He goes to some lengths to cover up all trace of the murder – he even caught his victim’s blood in a tub, so that none was spilt anywhere – and then he takes up three of the floorboards of the chamber, and conceals his victim’s body underneath. But no sooner has he concealed the body than there’s a knock at the door: it’s the police, having been called out by a neighbour who heard a shriek during the night. Read the rest of this entry
A reading of Poe’s classic short story
‘The Oval Portrait’ (1842) is one of the shortest tales Edgar Allan Poe ever wrote. In just a few pages, he offers a powerful story about the relationship between art and life, through the narrator’s encounter with the oval portrait of a young woman in a chateau in the Appenines. The story repays close analysis because of the way Poe offers his story as a subtle commentary on link between life and art.
First, a brief summary of this briefest of stories. The narrator, wounded and delirious, has sought shelter in an old mansion with his valet or manservant, Pedro. He holes up in one of the rooms, and contemplates the strange paintings adorning the walls of the room, and reads a small book he had found on the pillow of the bed, which contains information about the paintings. At around midnight, he adjusts the candelabrum in the room and his eye catches a portrait he hadn’t previously noticed, in an oval-shaped frame, depicting a young girl on the threshold of womanhood. Read the rest of this entry