By Dr Oliver Tearle (Loughborough University)
‘The Last Laugh’ is a poem by Wilfred Owen (1893-1918), drafted in February 1918 (as ‘Last Words’) but only first published after Owen’s death in November 1918, one week before the Armistice. Although not his most famous poem by any means, ‘The Last Laugh’ is one of his most stark and direct. Before we move to an analysis of the poem, here it is:
By Dr Oliver Tearle (Loughborough University)
‘The Next War’ is a relatively little-known Wilfred Owen poem: compared with his great sonnet ‘Anthem for Doomed Youth’, this sonnet is practically invisible to all but the most diehard fans of Wilfred Owen or war poetry. Yet this poem offers an interesting insight into Owen’s work. Before we offer an analysis of ‘The Next War’, here’s a reminder of the poem:
By Dr Oliver Tearle (Loughborough University)
‘The Kind Ghosts’ is not one of Wilfred Owen’s best-known war poems, but it deserves to be better-known. In just twelve lines, Owen (1893-1918) contrasts the sleepy attitude of Britain’s civilians with the sacrifice being made by countless British men in the theatre of war. Owen revised ‘The Kind Ghosts’ in July 1918, just a few months before his death in early November of that year. Before we proceed to an analysis of the poem, here’s a reminder of it:
By Dr Oliver Tearle (Loughborough University)
‘1914’ is a poem by Wilfred Owen (1893-1918). As the title suggests, it’s a poem about the outbreak of the First World War, in August 1914. Before we offer some words of analysis, here’s a reminder of the poem.
1914
War broke: and now the Winter of the world
With perishing great darkness closes in.
By Dr Oliver Tearle (Loughborough University)
‘Mental Cases’ began life as a poem titled ‘The Deranged’ in late 1917, following Wilfred Owen’s famous meeting with fellow war poet Siegfried Sassoon in Craiglockhart Hospital. Encouraged by Sassoon, and partly inspired by his fellow war poet’s poem ‘The Survivors’, Owen set about depicting the terrifying mental landscape of those men fighting in the trenches during the First World War. ‘Mental Cases’ is a powerful evocation and analysis of the psychological effects of the world’s first mass industrial war on the young men who experienced it.
Mental Cases
Who are these? Why sit they here in twilight?
Wherefore rock they, purgatorial shadows,
Drooping tongues from jaws that slob their relish,
Baring teeth that leer like skulls’ tongues wicked?
Stroke on stroke of pain, — but what slow panic,
Gouged these chasms round their fretted sockets?
Ever from their hair and through their hand palms
Misery swelters. Surely we have perished
Sleeping, and walk hell; but who these hellish?
— These are men whose minds the Dead have ravished.