By Dr Oliver Tearle (Loughborough University)
The English writer Hector Hugh Munro (1870-1916), who is better known under his pen name Saki, was a master of the short comic story and, in some ways, a missing link between Oscar Wilde and P. G. Wodehouse. What’s more, Saki was that rare writer who could write humorously, for an adult audience, about both children and animals.
In this week’s Dispatches from The Secret Library, Dr Oliver Tearle pays homage to the master of English comic fiction
Saki’s short stories have everything going for them. For one, they’re short: a few years before Virginia Woolf penned her series of very short sketches about modern life, such as ‘A Haunted House’, ‘The Mark on the Wall’, and ‘Kew Gardens’, Saki – no modernist, but decidedly modern – had reduced the short story form to three pages which contained everything the story needed to contain, with no filler but more wit per page than just about any other English writer, with the possible exception of P. G. Wodehouse (who must have been influenced by Saki).
By Dr Oliver Tearle (Loughborough University)
‘The Open Window’ is one of Saki’s shortest stories, and that’s saying something. Few of his perfectly crafted and deliciously written tales exceed four or five pages in length, but ‘The Open Window’, at barely three pages, outstrips even ‘The Lumber-Room’ or ‘Tobermory’ for verbal economy.
By Dr Oliver Tearle (Loughborough University)
The 1911 short story ‘Sredni Vashtar’ contains many of the ingredients we find in Saki’s best fiction: it challenges the idea that children are innocent and free from designs or cunning (or, indeed, evil), it pricks the pomposity of adults and their conservative treatment of children, and it suggests a kinship between children and animals, something we can also observe in Saki’s earlier story, ‘Gabriel-Ernest’.
By Dr Oliver Tearle (Loughborough University)
Saki, real name Hector Hugh Munro (1870-1916), was a master of the very short story, and as well as penning dozens of witty Edwardian short stories consisting of just a few pages, he also left us several short horror fiction masterpieces, of which ‘Gabriel-Ernest’ (1909) is probably the most famous and widely studied. The story, about a teenage boy who transforms into a werewolf and preys on small children, manages to appal and unsettle in just five pages of masterly storytelling. You can read ‘Gabriel-Ernest’ here.