The First Modern Ghost Story: Kipling’s ‘Mrs Bathurst’

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle analyses one of Rudyard Kipling’s most baffling stories

I agree with Neil Gaiman: Rudyard Kipling was at his best in the short story form. The generous 800-page Fantasy Masterworks volume of Kipling’s ‘fantastical tales’ which I own (The Mark of the Beast And Other Fantastical Tales) showcases the work of a writer who possessed not only a staggering imagination but narrative ingenuity which we rarely see in writers of short stories. Of all Kipling’s short stories, ‘Mrs Bathurst’ is one of the most ingenious. It is also one of the most genuinely chilling.

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A Short Analysis of Rudyard Kipling’s ‘Mother o’ Mine’

By Dr Oliver Tearle (Loughborough University)

‘Mother o’ Mine’ was published as a dedication to Kipling’s 1892 book The Light That Failed. Like many of Kipling’s greatest poems, it’s song-like, lending itself to being read or even sung or chanted aloud. It’s also a fine poem about a poet paying tribute to his mother.

Mother o’ Mine

If I were hanged on the highest hill,
Mother o’ mine, O mother o’ mine!
I know whose love would follow me still,
Mother o’ mine, O mother o’ mine!

If I were drowned in the deepest sea,
Mother o’ mine, O mother o’ mine!
I know whose tears would come down to me,
Mother o’ mine, O mother o’ mine!

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‘The Glory of the Garden’: A Poem by Rudyard Kipling

By Dr Oliver Tearle (Loughborough University)

‘Our England is a garden that is full of stately views, / Of borders, beds and shrubberies and lawns and avenues’. So begins ‘The Glory of the Garden’, a classic poem about English gardens from one of the most popular poets of the late nineteenth and early twentieth centuries, Rudyard Kipling (1865-1936).

‘The Glory of the Garden’ by Rudyard Kipling

Our England is a garden that is full of stately views,
Of borders, beds and shrubberies and lawns and avenues,
With statues on the terraces and peacocks strutting by;
But the Glory of the Garden lies in more than meets the eye.

For where the old thick laurels grow, along the thin red wall,
You’ll find the tool- and potting-sheds which are the heart of all
The cold-frames and the hot-houses, the dung-pits and the tanks,
The rollers, carts, and drain-pipes, with the barrows and the planks.

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‘The Way through the Woods’: A Poem by Rudyard Kipling

By Dr Oliver Tearle (Loughborough University)

Following yesterday’s tree-themed poem, today we share ‘The Way through the Woods’, one of the best-loved poems by Rudyard Kipling (1865-1936). Although he is not known for writing obscure poetry (some of his short stories are true head-scratchers, mind!), Kipling leaves the meaning of ‘The Way through the Woods’ somewhat ambiguous.

‘The Way through the Woods’ by Rudyard Kipling

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees. 

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A Short Analysis of Rudyard Kipling’s ‘The Power of the Dog’

By Dr Oliver Tearle (Loughborough University)

‘The Power of the Dog’ by Rudyard Kipling (1865-1936), prolific poet, novelist, and writer of short fiction for both adults and children, extols the dog’s most famous virtue – its undying loyalty and devotion to its owner – but also warns against giving your heart to a dog for it ‘to tear’. Dogs, for Kipling, are not just man’s best friend: they are heartbreakers.

The Power of the Dog

There is sorrow enough in the natural way
From men and women to fill our day;
And when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers and sisters, I bid you beware
Of giving your heart to a dog to tear.

Buy a pup and your money will buy
Love unflinching that cannot lie

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