A Short Analysis of Philip Larkin’s ‘Sad Steps’

By Dr Oliver Tearle (Loughborough University)

‘Sad Steps’ was completed by Philip Larkin in April 1968, and was published in his final volume of poetry, High Windows (1974). Larkin was in his mid-forties when he wrote ‘Sad Steps’, and the poem analyses and explores the poet’s awareness of middle age, and the loss of his youth. You can read ‘Sad Steps’ here.

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A Short Analysis of Philip Larkin’s ‘Afternoons’

A summary of a great Larkin poem

‘Afternoons’, like a number of Philip Larkin’s other poems, treats the theme of the passing of youth and the setting-in of middle age. But rather than focusing on his own middle age (Larkin was in his mid-thirties when he wrote the poem, in 1959), Larkin examines the lives of others, analysing the existence of a group of young mothers he observes at the local recreation ground. You can read ‘Afternoons’ here.

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A Short Analysis of Philip Larkin’s ‘The Whitsun Weddings’

By Dr Oliver Tearle (Loughborough University)

‘The Whitsun Weddings’ is the title poem in Philip Larkin’s 1964 volume of poems. The poem, describing a journey from Hull to London on the Whitsun weekend and the wedding parties that Larkin sees climbing aboard the train at each station, is one of Larkin’s longest great poems and one of his most popular.

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Five Fascinating Facts about Philip Larkin

Interesting facts from Larkin’s life 1. Philip Larkin wrote a number of stories featuring girls at boarding school. While he was completing his English degree at St John’s College, Oxford in 1943, Larkin started writing stories and poems – and even a whole novella, Trouble at Willow Gables – under the pseudonym Brunette Coleman. The … Read more

A Summary and Analysis of Philip Larkin’s ‘An Arundel Tomb’

By Dr Oliver Tearle (Loughborough University)

Completed in February 1956 but not published until 1964, when it appeared in Philip Larkin’s volume The Whitsun Weddings, ‘An Arundel Tomb’ is one of Larkin’s most popular and widely anthologised poems. It might also be called one of the truly great love poems of the twentieth century.

But its images and meaning can best be approached through an analysis of how Larkin uses language and form to achieve his effects.

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