A commentary on one of Joyce’s shortest Dubliners stories
‘Araby’ is one of the early stories in James Joyce’s Dubliners, the 1914 collection of short stories which is now regarded as one of the landmark texts of modernist literature. At the time, sales were poor, with just 379 copies being sold in the first year (famously, 120 of these were bought by Joyce himself). And yet ‘Araby’ shows just what might have initially baffled readers coming to James Joyce’s fiction for the first time, and what marked him out as a brilliant new writer. But before we get to an analysis of ‘Araby’ (which can be read here), a brief summary of the story’s plot – what little ‘plot’ there is.
In summary, then: ‘Araby’ is narrated by a young boy, who describes the Dublin street where he lives. As the story progresses, the narrator realises that he has feelings for his neighbour’s sister and watches her from his house, daydreaming about her, wondering if she will ever speak to him. When they eventually talk, she Read the rest of this entry