‘Tell me not here, it needs not saying’ is one of the most famous poems from A. E. Housman’s second volume, Last Poems (1922). In this poem, which comes near the end of the collection, Housman reflects on his relationship with nature, before concluding that, although nature does not care or even know about him, he feels a close bond with it.
Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.
On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller’s joy beguiles in autumn
Hearts that have lost their own. Read the rest of this entry
‘On Wenlock Edge the wood’s in trouble’: it’s one of A. E. Housman’s most arresting opening lines. Why, or indeed how, is the wood ‘in trouble’? What follows is one of the greatest poetic meditations on the smallness of the individual life when set against the grand sweep of history.
On Wenlock Edge the wood’s in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.
’Twould blow like this through holt and hanger
When Uricon the city stood:
’Tis the old wind in the old anger,
But then it threshed another wood. Read the rest of this entry