A Short Analysis of Shakespeare’s Sonnet 10: ‘For shame deny’

By Dr Oliver Tearle (Loughborough University)

‘For shame deny that thou bear’st love to any’: so begins Sonnet 10 in Shakespeare’s Sonnets. This sonnet represents a minor turning point in the sequence, since Shakespeare’s admiration of the Fair Youth and his beauty becomes personal, rather than merely being couched in terms of general praise. Here is Sonnet 10, and some notes towards an analysis of its meaning and language.

For shame deny that thou bear’st love to any,
Who for thy self art so unprovident.
Grant, if thou wilt, thou art beloved of many,
But that thou none lov’st is most evident:
For thou art so possessed with murderous hate,
That ‘gainst thy self thou stick’st not to conspire,
Seeking that beauteous roof to ruinate
Which to repair should be thy chief desire.

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A Very Short Biography of M. R. James

By Dr Oliver Tearle (Loughborough University)

Many people regard M. R. James (1862-1936) as the finest writer of ghost stories in the English language. How did he come to write such highly regarded tales? In this post we offer a very short biography of M. R. James, focusing on the most curious or eye-catching aspects of his life.

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A Neglected Poet: On James Henry’s ‘Pigeons’

By Dr Oliver Tearle (Loughborough University)

How many people have heard of James Henry? The name Henry James (1843-1916) is rather more familiar – he was the American-born author who moved to England and is best-known for his short stories and novels. But the Irish poet James Henry (1798-1876) is somewhat less familiar to most readers.

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Five Fascinating Facts about Henry Fielding

By Dr Oliver Tearle (Loughborough University)

1. Fielding was largely responsible for the Licensing Act being passed, which would exercise huge control over British theatres for over two centuries.

Fielding wasn’t in favour of the Act – which decreed that all plays being performed in public theatres in the UK must be read and passed by the Lord Chamberlain – but nevertheless played a key role in the formation of it. A series of stage satires penned by Fielding, mocking King George II and Robert Walpole, first de facto Prime Minister of the United Kingdom, led Walpole to push for theatre censorship. He was successful, and the Licensing Act came into force.

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A Short Analysis of Shelley’s ‘The Flower That Smiles Today’

By Dr Oliver Tearle (Loughborough University)

Percy Shelley (1792-1822) was, along with Lord Byron and John Keats, one of the second-generation Romantic poets who followed Wordsworth and Coleridge – and, to an extent, diverged from them, having slightly different ideas of Romanticism. ‘The Flower That Smiles Today’, sometimes titled ‘Mutability’ (though Shelley, confusingly, wrote another poem called ‘Mutability’) is one of Shelley’s most widely anthologised poems, so we thought we’d share it here, along with a brief analysis of its language and meaning.

The flower that smiles to-day
To-morrow dies;
All that we wish to stay
Tempts and then flies.
What is this world’s delight?
Lightning that mocks the night,
Brief even as bright.

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