By Dr Oliver Tearle (Loughborough University)
‘The Little Black Boy’ is a poem from William Blake’s 1789 volume Songs of Innocence. Before we proceed to an analysis of Blake’s poem, here’s a reminder of ‘The Little Black Boy’.
By Dr Oliver Tearle (Loughborough University)
‘The Little Black Boy’ is a poem from William Blake’s 1789 volume Songs of Innocence. Before we proceed to an analysis of Blake’s poem, here’s a reminder of ‘The Little Black Boy’.
By Dr Oliver Tearle (Loughborough University)
‘Cradle Song’ is intended to be sung by a mother to her newborn child in order to lull the baby to sleep. The repetition of ‘Sweet’ at the beginning of many of the poem’s stanzas (or perhaps we should say, the song’s verses) helps to create a soothing effect. One wonders how many infants have been eased into dreamland by maternal recitals of Blake’s poem.
By Dr Oliver Tearle (Loughborough University)
Published in Blake’s 1789 book Songs of Innocence, ‘A Dream’ is about William Blake’s vision of three insects: an ant (‘emmet’), a beetle, and a glow-worm, which is in fact a kind of beetle. Not only that, but these are talking insects: the emmet confides that she has lost her children, and the bright glow-worm offers to light the way for her through the night, so she can recover them.
‘A Dream’ by William Blake
Once a dream did weave a shade
O’er my angel-guarded bed,
That an emmet lost its way
Where on grass methought I lay.
Troubled, wildered, and forlorn,
Dark, benighted, travel-worn,
Over many a tangle spray,
All heart-broke, I heard her say:
By Dr Oliver Tearle (Loughborough University)
‘Infant Joy’ is a poem that was first published in William Blake’s 1789 volume Songs of Innocence. Like many of Blake’s poems from the two Songs collections, ‘Infant Joy’ is fairly straightforward and its meaning is reasonably plain – and yet the poem requires a little analysis to tease out its deeper ambiguities and subtleties.
By Dr Oliver Tearle (Loughborough University)
There are two ‘Chimney Sweeper’ poems by William Blake. The first appeared in Songs of Innocence in 1789, while a second poem, also called ‘The Chimney Sweeper’ was included in Songs of Experience in 1794.
Like many of Blake’s most celebrated poems, ‘The Chimney Sweeper’ – in both versions – uses fairly straightforward language, although some words of analysis may help to shed light on the meaning of these two poems.
Let’s start with the first ‘The Chimney Sweeper’ poem, from the 1789 volume, followed by some words of analysis.