In this week’s Dispatches from The Secret Library, Dr Oliver Tearle revisits a classic study of modernist culture and snobbishness
John Carey’s The Intellectuals and the Masses: Pride and Prejudice Among the Literary Intelligentsia, 1880-1939 was published in 1992, over a quarter of a century ago now. The book explores how writers of the early twentieth century – intellectuals as such H. G. Wells, Virginia Woolf, Wyndham Lewis, E. M. Forster, and others – conceived of, and wrote about, the majority of their fellow human beings (the ‘great unwashed’ to use Bulwer-Lytton’s phrase), in disparaging and often jaw-droppingly unsympathetic terms. Carey’s book also shows how this idea of ‘the masses’ was useful to the intellectuals, such as the modernists, in providing them with a mainstream populism which they could then set themselves up in opposition to.
John Carey is one of the greatest living critics. His The Violent Effigy: A Study of Dickens’ Imagination is one of the few works of criticism on Dickens’s work which not only manages to enter into full imaginative sympathy with its subject but also succeed in actually being rather funny. I read it twice while I was studying for my MA. But The Intellectuals and the Masses is probably Carey’s best-known book, and deserving of a reappraisal now, especially given the widening gulf between the governing classes and the rest of the population, the richer and poorer, the elite and everyone else. Among the many insights Carey’s book provides, there is his fascinating