On one of Woolf’s earliest short stories
Written in 1917 around the same time she wrote ‘The Mark on the Wall’, ‘Kew Gardens’ is one of Virginia Woolf’s best-known short stories. Yet what the story means is far less well-known – if there is one ‘meaning’ that is ultimately knowable. A short summary and closer analysis of ‘Kew Gardens’ should help to provide a little clarity on what is a rather elusive and delicately symbolic story.
In summary, ‘Kew Gardens’ focuses on the titular gardens in London, on a hot July day. As so often with modernist literature, the focus here is on a moment or a series of moments, rather than a grand, unified narrative or plot. A husband and wife walk past the flower bed with their children, all of them lost in their own thoughts: the husband, Simon, thinks about a woman he’d asked to marry him fifteen years earlier (but whom he never did marry). He asks his wife, Eleanor, if she thinks of the past, and she tells him she remembers being kissed by an old lady with a wart on her nose, twenty years ago while she and a group of other girls were painting at the side of a lake. Read the rest of this entry