Fantasy Novel Reviews – Interesting Literature

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle salutes the master of heroic fantasy and one of his most curious novels

Like many people, I came to David Gemmell through Legend, his 1984 debut which would go on to become a classic of modern fantasy literature, and one of the most definitive novels in the subgenre of heroic fantasy. Unlike most, though, as I read my way through David Gemmell’s entire back catalogue, I found myself rating other novels far higher than Gemmell’s debut.

Legend has heart, and it signalled the arrival of a distinctive new voice in fantasy, but, as Gemmell himself admitted, the writing wasn’t always perfect. He learned a lot in the years that followed, and, to my mind, the prequel he wrote nearly a decade later, The First Chronicles of Druss the Legend, is his most perfectly crafted piece of storytelling.

In between these two ‘Legend’ books, though, David Gemmell wrote a great deal: among much else, he produced Waylander, which introduced readers to the crossbow-carrying assassin who many readers rate superior to Druss the Legend; the standalone Knights of Dark Renown; and Wolf in Shadow, the first in a trilogy of novels centring on the gun-wielding Bible-reading Jon Shannow. The last of these had a curious origin in an especially dark time in Gemmell’s life, and the result was one of his most unusual and intriguing novels.

In this week’s Dispatches from The Secret Library, Dr Oliver Tearle revisits the deftly plotted fantasy novels of Michael Moorcock

It’s not as well-known as it should be that C. S. Lewis nominated his fellow Inkling, J. R. R. Tolkien, for the Nobel Prize in Literature. In 1961, the Chronicles of Narnia author put forward the author of The Lord of the Rings, and his one-time Oxford colleague, for the award. Although the two writers did not see eye to eye when it came to each other’s work, Lewis thought highly enough of Tolkien’s fiction to recommend him for this prestigious honour. However, the Nobel Prize committee rejected the nomination, stating that Tolkien’s work ‘has not in any way measured up to storytelling of the highest quality.’

Tens of millions of readers would disagree, but I’ve always found it difficult to enjoy The Lord of the Rings as pure storytelling. As an epic in the tradition of the Nordic and Icelandic sagas it is vast and well-realised, and the world-building – especially when it comes to Tolkien’s métier, languages and philology – is often wonderfully detailed and believable. But the

The Dark Side of Fantasy: David Gemmell’s Wolf in Shadow

Michael Moorcock’s Dorian Hawkmoon: Fast-Paced Fantasy