A Summary and Analysis of Aristophanes’ Lysistrata

By Dr Oliver Tearle (Loughborough University)

Lysistrata is the first female lead in a Western comedy, and this alone arguably makes Aristophanes’ play worthy of study and analysis. Lysistrata is the only one of Aristophanes’ plays to be named after one of its characters. First performed in 411 BC, the play is set during the Peloponnesian War between Athens and Sparta, a war that had been raging for two decades by this point.

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A Short Analysis of Euripides’ Helen

An introduction to a classic play

Helen is not the most famous of Euripides’ plays, but it is one of the most curious – and it deserves close analysis and study. The play was first performed in 412 BC at that year’s City Dionysia. In summary, the plot of Helen turns on an old conspiracy theory first put forward by the ancient historian Herodotus: that ‘Helen of Troy’ was a mere phantom conjured by Hera, and that the real wife of Menelaus spent the duration of the Trojan War in Egypt, having been taken there by Hermes and kept safe out of harm’s way. (This is the basis of H. D.’s modernist epic poem Helen in Egypt (New Directions Books).) The Greeks and the Trojans both go to war over what is, effectively, an illusion. The goddess Hera is responsible for the phantom Helen and, therefore, the cause of the Trojan War: she’s seeking revenge on mortals over something called the Judgement of Paris.

Helen lives out seventeen long years in Egypt, chastely and loyally waiting for her husband Menelaus to come and fetch her. Like Penelope in Homer’s Odyssey, she refuses to accept that her husband is definitely dead and rejects the offer of marriage from the new king of Egypt, Theoclymenus. But he won’t wait forever.

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