Five Fascinating Facts about Plutarch

Fun facts about a pioneering ancient writer

1. Plutarch effectively invented the genre of biography. Plutarch’s innovative approach to biography was to take two important figures – one from Greek civilisation and the other from the Roman empire – and compare and contrast their characters, fortunes, and outlooks. This is the basis for his most famous work, the Parallel Lives.

2. As well as being a serious biographer, though, he was also something of a gossip. Plutarch loves to home in on an individual story that sheds some light on his subject – an anecdote, a moral tale, a quirk or distinctive character trait. And this is why we at Interesting Literature admire Plutarch so much: he saw the importance of trivia, and the fact that it isn’t always as trivial as it might first appear. His Greek Lives and Roman Lives (of which there are two very good selections by Oxford World’s Classics) show the individual personalities of the great statesmen and cultural figures he discusses, their quirks and foibles, their eccentricities.

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10 of the Best Classical Plays Everyone Should Read

The best drama from the ancient world

For over 2,000 years, the Greek dramatist Menander’s works were lost. Then, in the twentieth century, they were rediscovered. Menander was praised by his contemporaries as a great comic playwright – some even said the greatest, beating even Aristophanes into second place. But when Menander’s work was rediscovered in the twentieth century, it was something of a disappointment. Translators and Greek scholars were lukewarm in their praise for the newly discovered Menander material. He was, perhaps, the first writer to be the victim of over-hype surrounding his work.

All of this makes us wonder: which are the greatest plays of the classical era? What are the finest ancient Greek and Roman plays? Here is our pick of ten of the best. We’ve tried to offer as great a range of authors as possible here, so have restricted ourselves to just two entries by the same playwright (which proved difficult with some playwrights who wrote a number of classic plays).

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Five Fascinating Facts about Menander

Fun facts about a classical writer

1. For over 2,000 years, Menander’s works were lost. Then, in the twentieth century, they were rediscovered. Menander (c. 342/41 – c. 290 BC) was praised by his contemporaries as a great comic playwright – some even said the greatest, beating even Aristophanes into second place. Yet his work was lost during the Middle Ages and remained so until papyrus scrolls containing several of his plays surfaced, and even then only as incomplete manuscripts. Only one of his 108 plays, Dyskolos (‘Old Cantankerous’), can be read today in (more or less) its entirety. Among the plays which remain lost are Rhapizomene (‘The Woman Who Had Her Face Slapped’), Synaristosai (which roughly translates as ‘Ladies Who Lunch’), and Empimpramene (‘Woman on Fire’).

2. When Menander’s work was rediscovered in the twentieth century, it was something of a disappointment. The discovery of the Cairo codex in 1907, containing fragments of a number of Menander plays, and the finding of the Bodmer papyrus in 1959, brought Menander’s work back, seemingly, from oblivion – but this wasn’t necessarily a good thing.

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Five Fascinating Facts about Gallus

A short biography of one of ancient Rome’s lost poets

1. The poetry of Gallus inspired a whole raft of famous Roman poets, but none of his work survives. Author of the Metamorphoses, Ovid (pictured below right), praised Gallus alongside the Greek writers Homer and Sophocles (the author of the classic play Oedipus the King), and the celebrated Roman author Virgil. Virgil himself includes Gallus in two of his pastoral poems known as the Eclogues. Indeed, the tenth Eclogue is dedicated to Gallus. Propertius called him one of Rome’s first great love poets. Yet none of Gallus’ work survived antiquity.

2. Only one line of Gallus’ work has endured, but it isn’t particularly inspiring. In a book on geography, the writer Vibius Sequester quotes Gallus’ line ‘uno tellures dividit amne duas’. This line translates as nothing more poetic than ‘it is divided by one river into two lands’. Not exactly Ovid’s Amores, is it?

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