By Dr Oliver Tearle (Loughborough University)
The eighteenth-century poet Alexander Pope (1688-1744) is not the most fashionable English poet: few people read his poetry for pleasure, one suspects, and even in universities he is not as popular or central to the canon as he once was. With his Augustan rationalism and his perfectly crafted heroic couplets, his love of chiasmus and antithesis and other rhetorical devices, he can come across as artificial, cold, even ‘unpoetic’.