In this week’s Dispatches from The Secret Library, Dr Oliver Tearle pays tribute to a truly remarkable bad Victorian poet
William McGonagall. Julia A. Moore. Alfred Austin. Bad poetry has its own canon, a sort of dark reflection or negative of the other, more salubrious canon comprising Shakespeare, T. S. Eliot, Emily Dickinson. And in its own way, the canon of bad verse is just as difficult to join as the good one: it takes a certain peculiar combination of self-belief, metrical tone-deafness, artistic ambition, and – perhaps most importantly – utter lack of self-awareness to produce a remarkable bad poet. A notably bad one, we might say. One poet who should be in the bad canon, but is often overlooked alongside McGonagall et al, is Theo Marzials (1850-1920).
Marzials was a British composer, singer, and poet who was born Théophile-Jules-Henri Marzials. As well as his musical work, he was also the author of a poetry collection, the wonderfully named The Gallery of Pigeons and Other Poems (1873). It is in The Gallery of Pigeons that we find Marzials’ masterpiece, if that is quite the word: the poem ‘A Tragedy’, which is more of a farce than a tragedy, although undoubtedly its claim to being a tragedy is rather tragic. Here is the poem, reproduced in full:
The barges down in the river flop.
Flop, plop. Read the rest of this entry