What are the greatest classic animal poems?
From cats to mice, dogs to horses, fish to pigs, poets have written touchingly, powerfully, and enchantingly about animals. In this post we’ve chosen ten of our favourite poems about animals of all kinds. What would feature on your list of the best animal poems?
Robert Henryson, ‘The Paddock and the Mouse’. We get two animals for the price of one in this medieval poem: a frog and a mouse (‘paddock’ is an old word for a frog). Three centuries before Robert Burns would write his more famous poem about a mouse, the fifteenth-century poet Robert Henryson wrote this, a verse translation of one of Aesop’s fables. It’s written in Middle Scots – the medieval Scots dialect – and tells of a mouse that wishes to cross a stream. A paddock/frog offers to help, with disastrous results. The version we’ve linked to above is a modernised translation of Henryson’s poem.
Anna Seward, ‘An Old Cat’s Dying Soliloquy‘. This poem first appeared in the Gentleman’s Magazine in 1792, and manages to convey the cat’s voice in a manner that is ironic and amusing but also touching and poignant, since the cat realises that she will miss her master when she has died.
Robert Burns, ‘To a Mouse’. Probably the most famous poem about a mouse ever written. The full title of this poem is ‘To a Mouse, On Turning Her up in Her Nest with the Plough, November 1785’. That full title explains what the poem is about – and it was probably based on a real event, when Burns accidentally destroyed a mouse’s nest while ploughing a field.
John Clare, ‘Badger’. One of Clare’s most celebrated poems, ‘Badger’, written in rhyming couplets, is about this overlooked animal (how many great poems about badgers are there in English literature?). After describing the badger’s appearance and habits, Clare then details how the badger is caught, trapped, and baited. One of the great poems about animal cruelty as well as a classic animal poem.
Emily Dickinson, ‘She sights a Bird – she chuckles’. This is the 507th poem in Dickinson’s Complete Poems, and – as so often with Emily Dickinson – the poem perfectly captures in short, telegrammatic style the essence of the thing being described. It took a genius like Dickinson to convey the way a cat flattens itself before crawling towards its prey, and the way the cat’s ‘eyes increase to Balls’ is, as ever with Dickinson, superbly well put. What more can one say?
Thomas Hardy, ‘A Popular Personage at Home’. One of two poems Thomas Hardy (1840-1928) wrote about his beloved dog of 13 years, Wessex, who died in 1926, two years before Hardy himself. However, what makes ‘A Popular Personage at Home’ especially notable is that Hardy wrote the poem from the perspective of the dog, allowing ‘Wessex’ to speak for himself.
Elizabeth Bishop, ‘The Fish’. In this poem, Bishop’s speaker catches a fish but then lets it go; she delivers the first piece of information succinctly in the first line (‘I caught a tremendous fish’) and then the news that she let the fish go is delivered only in the poem’s final line; in between there is a long description of the fish and of the speaker’s growing awareness of it as part of a rich natural ecosystem. This has to be one of the most famous poems about fish.
Lawrence Ferlinghetti, ‘Dog’. The American poet Lawrence Ferlinghetti (b. 1919) wrote this, one of the finest poems about a dog. Ferlinghetti shows us the world from a dog’s perspective: the things it sees, smells, and hears, from drunks in doorways to cats and cigars.
Philip Larkin, ‘At Grass’. A fine early poem – Larkin completed it in 1950, when he was still in his late twenties – ‘At Grass’ sees Larkin reflecting on old racehorses which are ‘put out to grass’. Do memories of the races they won fifteen years ago ‘plague their ears like flies’? Well, these retired racehorses have ‘slipped their names, and stand at ease’.
Ted Hughes, ‘View of a Pig’. This poem almost reads like a sequel to the pig-slaughtering scene in Thomas Hardy’s Jude the Obscure – and Hardy was an important influence on Hughes. The speaker of this poem looks down at a dead pig and remarks how utterly dead it is, and contrasts its now deadened and lifeless state with the warm, active creature that is the living pig. This is done unsentimentally and without inviting judgment about the poor pig’s fate.
Discover more great poems about animals with these classic poems about horses, these great dog poems, these classic cat poems, and these poems about birds. For more classic poetry, we recommend The Oxford Book of English Verse – perhaps the best poetry anthology on the market.