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10 of the Best Gothic Poems for Halloween

The best Halloween poems

What are the best poems about Halloween, the best poems for Halloween? In this post, we’ve gathered up a mixture of the two: some of the following ten poems are specifically about Halloween, while others are suitably Gothic poems to enjoy on or around Halloween. So, if you have your pumpkin at the ready, get ready to click on the title of each poem to take you through to a treat rather than a trick…

Robert Fergusson, ‘Hallow-Fair’. Robert Fergusson died aged just 24 in 1774, and might be seen as a sort of precursor to Robert Burns, who was just a teenager at the time of Fergusson’s death. Fergusson’s ‘Hallow-Fair’ (1772) is a great Halloween poem to begin this list: it’s rich in Scots dialect and offers a window onto eighteenth-century Scotland, focusing on the Hallowmas Fair held annually (usually on 1 November, so the day after All Hallows’ Eve) in Edinburgh.

halloween-robert-burns-illustrationRobert Burns, ‘Hallowe’en’. Like Fergusson’s ‘Hallow Fair’, Burns’s ‘Hallowe’en’ (1785) provides a valuable snapshot of eighteenth-century life, as well as the Halloween customs and observances (including the prophecies or predictions) which marked the festival. For Burns, Halloween is a night on which the usual rules can be overturned or, at least, suspended – it’s as if anything might happen.

Samuel Taylor Coleridge, ‘Christabel’. If you go down in the woods today – or rather tonight – and your name is Christabel, you’d better beware… Coleridge’s classic  poem is one of the great Gothic poems in English literature. It’s got it all: mysterious night-time encounters, enigmatic characters, and even two women who end up going to bed together, if that’s your sort of thing for Halloween. The poem focuses on the titular character’s encounter with Geraldine, who claims to have escaped from a gang of men who kidnapped her. Coleridge completed the first two parts of the poem in 1800, but Wordsworth advised his friend to leave it out of the second edition of Lyrical Ballads published that year, and so the unfinished ‘Christabel’ wasn’t published until 1816.

John Keats, ‘The Eve of St. Agnes’. This poem had to make it onto a list of the best poems for Halloween for two reasons. One is its suitably Gothic atmosphere, and the other is the fact that its author, John Keats, was born on Halloween – 31 October, 1795. On a cold night in a medieval castle, a young lover breaks into his sweetheart’s chamber, hides in her closet, and then persuades her semi-conscious self to run away with him. It’s a dark and stormy night on which the two lovers elope, which makes this poem a great addition to this pick of the finest Halloween poems.

Edgar Allan Poe, ‘Ulalume’. Surprised that we’ve opted for this poem rather than the far more famous ‘The Raven’? Much as we were tempted to include ‘The Raven’ here, ‘Ulalume’ (1847) seems to fit the bill for great Halloween poems much more neatly. And it even shares, with ‘The Raven’, a narrator who has lost his loved one. The brooding narrator wanders the moors one October night, unaware that he is meandering in the direction of the tomb of his lost beloved. Although criticised for privileging stylish sound-effects over richness of content (by Aldous Huxley among others, who called it, in something of a mixed review, ‘a carapace of jewelled sound’), the poem is a great one for reading aloud during the Halloween season.

Robert Browning, ‘Childe Roland to the Dark Tower Came’. This remarkable dramatic monologue, first published in 1855, recasts the Victorian penchant for medievalism into an altogether darker frame: the poem details the quest of the titular Roland to find the elusive Dark Tower. Browning creates a vivid dreamscape out of his fevered imagination and his attempts to overcome writer’s block in the early 1850s. Browning borrowed the title for his grotesquely Gothic poem from a line in Shakespeare’s King Lear; the character of Roland as he appears in Browning’s poem has in turn inspired Stephen King to write his Dark Tower series.

snap-apple-night-halloween-daniel-macliseChristina Rossetti, ‘Goblin Market’. Given its supernatural theme, this long poem – which launched the poetic career of Christina Rossetti when it was published in 1862 – is a great poem to discover, or revisit, for Halloween. Put briefly, it’s a narrative poem about two sisters, Lizzie and Laura, the latter of whom succumbs to temptation and tastes the delicious and exotic fruit sold by the goblins of the poem’s title. What follows has been read as a commentary on Victorian attitudes to women, female sexuality, and even the market economy concerning fruit (and we’re only partly kidding about that last one).

Thomas Hardy, ‘The Shadow on the Stone’. Begun in 1913 – when Hardy was busy writing some of his finest poetry, in response to the death of his estranged first wife Emma – ‘The Shadow on the Stone’ was inspired by a Neolithic stone block in the grounds of Hardy’s home, Max Gate. Hardy fancies he sees the ghostly shadow of his former wife hard at work in the garden; imagining his wife stands behind him, Hardy thinks of turning around, but decides against it – preferring to entertain the possibility that Emma’s ghost does look over his shoulder, rather than to turn around and extinguish that hope.

John Kendrick Bangs, ‘Halloween’. Bangs (1862-1922) might have been worth mentioning in this list for his marvellous name alone, but as it happens, his poem ‘Halloween’ is a classic popular poem about Halloween and more than earns its place on this list, with its image of witches riding on their broomsticks and cackling ‘Unto the Hunter’s Moon’ and the ghosts of the past roaming the Earth once more.

Sylvia Plath, ‘The Snowman on the Moor’. A number of the poems of Sylvia Plath (1932-63) contain Gothic elements and tropes, and ‘The Snowman on the Moor’ makes our top ten pick of great Halloween poems because it’s got more than its fair share of them. It’s about a woman who walks out on her husband in order to wander the moors, only to be hunted down by him and brought back home. The likening of the woman to a ghost, and the description of the ‘giant’ husband as ‘corpse-like’ – and the collection of women’s skulls he carries in his belt – make for a suitably Gothic poem.

If you enjoyed this collection of Gothic poems for Halloween, discover more spooky stuff with our interesting literary-themed Halloween facts.

Image (top): Illustration to Robert Burns’ poem Halloween by J.M. Wright and Edward Scriven (c. 1841), via Wikimedia Commons. Image (bottom): Snap-Apple Night by Daniel Maclise (1833), via Wikimedia Commons.

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About interestingliterature

A blog dedicated to rooting out the interesting stuff about classic books and authors.

Posted on October 26, 2016, in Literature and tagged , , , , , , , , . Bookmark the permalink. 8 Comments.

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