By Dr Oliver Tearle (Loughborough University)
Parolles, Bertram’s friend in Shakespeare’s All’s Well That Ends Well, has often eclipsed Bertram in productions of the play and become the male centre of it, much as Falstaff overshadows Prince Hal in Henry IV Parts 1 and 2. Indeed, Parolles as a character has been likened to Falstaff by numerous critics, most famously, Samuel Johnson.
By Dr Oliver Tearle (Loughborough University)
Polonius is a fool and a windbag. But he’s also a schemer and an important member of the royal court of Elsinore. In these two sentences, we have the key to the character of Polonius in Shakespeare’s Hamlet. Like Hamlet with his feigned madness (and his very real mental and emotional affliction, occasioned by his father’s death – which he later finds out was murder – and his mother’s remarriage to his uncle, Claudius), Polonius is playing a part, at least in part.
We cannot be entirely sure how much of his long-windedness is affectation to conceal his more cunning plotting behind the scenes.
By Dr Oliver Tearle (Loughborough University)
For Harold Bloom in Shakespeare: The Invention Of The Human
By Dr Oliver Tearle (Loughborough University)
Apemantus, a key character from Shakespeare’s Timon of Athens, is a philosopher and a cynic. He dislikes Athenians (branding them all ‘knaves’, with no exceptions), and seems to be consumed by hate. But is this a fair assessment of Apemantus’ character, and his role in the play? Or is there a little more to him than that?
By Dr Oliver Tearle (Loughborough University)
Is Timon a sympathetic character or not? Is he, in Harold Bloom’s words in Shakespeare: The Invention Of The Human