Surprising Facts about Samuel Taylor Coleridge

Samuel Taylor Coleridge (1772-1834) was once described as the last person to have read everything, so steeped in literature, philosophy, and learning was he. Certainly, he gave us a very useful phrase concerning good fiction: the expression ‘suspension of disbelief’ is a coinage of his, and describes the unofficial contract we all enter into when we read, or watch, … Read more

Guest Blog: Revamped – How the Twenty-First Century Vampire Is Redefining Masculinity

By Tracy L. Bealer, Colorado State University Power, good looks, and a preoccupation with penetration. These qualities unexpectedly describe both privileged masculinity and vampires. With their preternatural strength, lethal attractiveness, and penetrative fangs, the figure of the vampire has long been understood, by Nina Auerbach and others, as a literary and cinematic representative of the … Read more

Twelve Literary Facts about Christmas

Since the festive season is almost upon us, we’ve gathered together the twelve most interesting literature-related facts about Christmas that we could find. So here they are, ‘The Twelve Facts of Christmas’ … with a literary link. We hope you like them. 1. Christina Rossetti wrote the words to the Christmas carol ‘In the Bleak Midwinter’. Rossetti (1830-94) … Read more

Stevenson’s Jekyll and Hyde

It’s one of the most famous concepts in fiction: the idea of the dual personality. Robert Louis Stevenson cannot take the credit for inventing it – Edgar Allan Poe and Dostoyevsky had both written tales about ‘the double’ in the 1840s, some forty years before Stevenson put pen to paper – but he can certainly be applauded for giving us the definitive literary ‘type’. Whenever we talk about someone leading a dual life, we reach for ‘Jekyll and Hyde’ as an illustrative literary shorthand.

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Frankenstein: The Most Misread Novel?

Start with the basics: there is a world of difference between Mary Shelley’s original 1818 novel Frankenstein and the countless films that have been inspired by it. Even Kenneth Branagh’s 1994 adaptation, Mary Shelley’s Frankenstein, adds much to Shelley’s original vision and in doing so takes much away. Its title may signal fidelity to the … Read more