Literature

The Curious Origin of the Word ‘Malapropism’

The interesting origins of a useful word

The word ‘malapropism’ is among the wordiest of words, denoting a misused word. Specifically, a malapropism is an erroneous word used in place of another, correct word, e.g. ‘at this pacific moment’ (rather than specific moment) or referring to a place of scientific experiment as a ‘lavatory’ rather than laboratory. So much for the technical meaning of the word ‘malapropism’ itself, but what is the origin of the term?

Well, in the first instance it derives from Mrs Malaprop, a character in Richard Brinsley Sheridan’s 1775 play The Rivals. In Sheridan’s comedy, Mrs Malaprop frequently uses the wrong word for the thing she means, as in the Mrs Malapropfamous line: ‘Sure, if I reprehend [apprehend] any thing in this world it is the use of my oracular [vernacular] tongue, and a nice derangement [arrangement] of epitaphs [epithets]!’ Or at least, that’s probably what she means.

Curiously, the adverb ‘malapropos’ is found in print from 1630 with the sense of ‘in an inopportune, inappropriate, or awkward manner’; it then became an adjective around the beginning of the following century. Mrs Malaprop’s name, and the phenomenon to which her name was lent, are an extension of this existing Latin-derived word, which roughly means ‘inappropriate’ or ‘bad purpose’. Similarly, the phenomenon of the malapropism was not Sheridan’s invention, even if the precise word may have been. Indeed, one might also describe malapropisms as Dogberryisms, after Dogberry, the chief of police in Shakespeare’s Much Ado about Nothing. Among Dogberry’s many malapropisms (or Dogberryisms) is the following: ‘Our watch, sir, have indeed comprehended [apprehended] two auspicious [suspicious] persons, and we would have them this morning examined before your worship.

Malapropisms are very much an everyday phrenology (phenomenon), rather than being refined (confined) to the works of friction (fiction). (See what we did there?) In 2005 the New Scientist reported an example of someone using a malapropism in place of the very word ‘malapropism’. A worker described a colleague as ‘a vast suppository of information’ (meaning repository, of course). When his error was pointed out to him, he duly apologised for his ‘Miss-Marple-ism’.

So, although the word ‘malapropism’ is the usual go-to word to describe somebody mixing up one word for another, we shouldn’t forget the similarly literary ‘Dogberryism’. The origin of ‘malapropism’ takes us back to a famous play that was the sensation of its age, but another play – that by Shakespeare – has also given us an alternative term for the phenomenon. And perhaps we should take up the well-meaning ‘Miss-Marple-ism’ as the word to denote somebody’s malapropistic attempt to correct a previous malapropism by uttering … another malapropism? Call it a form of Muphry’s Law, if you will.

Image: Mrs Malaprop and Captain Jack Absolute in a production of The Rivals, via The Huntingdon Theatre Company on Flickr.

5 Comments

  1. My students are always amused how I run my words together or switch them up. They are kind of maladjusted Spoonerisms. There is another post for you–Spooner!

  2. Reblogged this on Vauquer Boarding House and commented:
    Great post! Thanks for the cool information. I especially like the reference to Dogberry in Shakespeare. (Please forgive my current lack of malapropisms. I’m letting down the side.)

  3. I appeared in a college production of The Rivals as Lydia a lifetime away… The costume was something else! But I vividly recall the fun with the language.

    • I’m just about to play Lydia in an outdoor production of The Rivals at uni – any tips?!

      • Oh my goodness! It was SUCH a long time ago… but the advice I was given was to play it absolutely straight and let those around you get the laughs. Lydia is the wide-eyed, slightly dippy beauty who gives all the feed lines… Hope that helps! I had great fun – it was a lovely cast and a successful production, so I wish you all the very best and do let me know how you get on:).